As the horror remake explosion continues in Hollywood, true fans of the genre are left in limbo deciding whether to embrace it or to take offense. It must be realized that these films can carry equal weight to the most sorrowful dramas and the most hilarious comedies. There is a delicate balance that exists as directors line up to remake these classics and one must discern whether their intentions are altruistic or parasitic. How do we begin to separate the respectful pilgrims from the marauding thieves? Well, for one, there is an earnestness in their approach marked with a humble disposition that guards the legacy. However, one must stay vigilant and be ready to act when the louse appears ready to grow fat off the back of horror history. In an effort to preempt these mischievous interlopers, Feature Film Review has compiled the list of remakes below that may not transcend the original, but get it right……spirit and mind. (God have mercy on anyone who ever touches The Exorcist.)

Original: Cat People (1942)
Remake: Cat People (1982)

Give credit to the original Cat People for being the first to even attempt to bring this crazy storyline to the screen. At first glance, the idea of Serbian cat-women roaming the streets does not seem that enticing; however, the film proves its doubters wrong. The lead actors, Simone Simon and Kent Smith, do not impress, but the film’s cinematography and style does. French director Jacques Tourneur (see I Walked with a Zombie) dazzles the audience with rich contrast courtesy of his noir-like lighting and feel. The film does lack continuity, but Tourneur delivers some wonderful set pieces that are beautifully designed and work to create the film’s chilling atmosphere. More of a cult classic than a master work, there is much to admire in this early addition to the horror genre.

Loosely based on DeWitt Bodeen’s original story, director Paul Schrader’s remake introduces a number of new characters to enhance the narrative. The basic premise is still there, but the new version attempts to bring more depth and expand on the rather short 73 minute runtime of the original. The resulting script turns out to be a fair adaptation yet struggles with sustaining its broad scope. However, when its creative elements become diluted, Schrader’s direction and competent cast make the film work.

Having written the script for the classic Taxi Driver, it seems that Schrader has benefited somewhat from his exposure to the master direction of Martin Scorsese. Schrader brings an interesting eye to Cat People and presents some visually intriguing shots not commonly seen in most horror films. It is by no means an artistic achievement, but goes beyond expectations. What also proves to be a surprise is that Schrader’s Cat People is unabashedly a horror film, supplying enough gore to satiate those with a taste for blood.

The cast contains a host of average stock actors that all do an adequate job. However, the performances of Malcolm McDowell (A Clockwork Orange) and Natasha Kinski (daughter of Klaus from Nosferatu the Vampyre) are worth noting. McDowell is the consummate professional who consistently brings strength to any production. Meanwhile, Kinski drives the sensuality of the film in the role of seductress.

The Remaking the Monsters series continues with The Hills Have Eyes. Check out FeatureFilmReview.com for other great reviews.